Atomos Shogun 7

The essential 7” workhorse that enables you to monitor-record-switch and live stream all from one device. 4x ISO + Program recording

1 Day 825,00 DKK excl. Vat

2 Days 1.237,50 DKK excl. Vat

4 Days 2.062,50 DKK excl. Vat

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825,00 DKK excl. Vat

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Mind-blowing HDR monitoring
Apple ProRes and ProRes RAW recording and playback

Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.

Atomos Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW (Panasonic EVA1) or 4K Apple ProRes directly to affordable SSD drives avoiding the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240 (Sony FS Series and EVA1).

Add to this asynchronous, multicamera switching and the ability to record in a range of other codecs, and you have more power to achieve your creative vision than ever before.


Live mix & record up to 5 streams
Take full advantage of 4 x SDI inputs and let Shogun 7 step into the role of a portable, quadview live switcher and recorder on your multicamera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs and then cue and switch in real-time with a simple touch of the screen. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.


Fine tune every detail, while you shoot
A high-quality viewing experience gives you complete confidence to make educated on-set decisions.

With Shogun 7’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. See what the camera sensor is capturing with unparalleled precision and use the advanced HDR waveform tools from log or RAW to ensure perfect exposure, colour and white balance. Shogun 7 gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.

Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.


The Shogun 7 is at home on practically any camera
With its ProRes RAW recording capabilities it works with powerhouses like the Canon C300 mkII, Panasonic EVA 1 and Sony FS5 II to create stunning images with maximum detail and latitude for post production. In addition it can transform older cameras like the Sony FS700R into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture.
Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.


Amplify the creative advantages of shooting RAW
Shogun 7 takes RAW data directly from the camera’s sensor and preserves the unprocessed image. This gives you more freedom to adjust and finesse every aspect of your video in post-production finishing.

Applying ProRes compression technology to RAW image data adds another edge to your creative workflow. ProRes RAW files are smaller than most proprietary RAW formats so you can import, edit and grade faster and more efficiently. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Avid Media Composer.


Give on-set HDR monitoring to your client and creatives
View what you’re capturing through your audience’s eyes before filming has even wrapped. Use Shogun 7 to deliver content via a Dolby Vision live HDMI out, in real-time, from any HDR camera to a compatible Dolby Vision HDR TV or monitor. Shogun 7 ensures you see an accurate representation of your video in maximum brightness and color detail. Use this accurate reference to adjust exposure and lighting accurately for modern TVs. This not only gives the crew more confidence in what they’re capturing, but also speeds up the finishing process.



Full kit incl. accesories 

2 x Anglebird AtomX 4K RAW 500GB SSD 

Smallrig cage & sunhood with V-lock mount



Physical Specifications
Dimensions (W x H x D mm)
214 x 127 x 45
709g / 25oz.
Mount points
1 x Anti rotation 1/4″-20 top and bottom
Ambient operating temperature
Up to 40° C
Construction and Control
Polycarbonate ABS Plastic
Actively controlled fan and Heat Sink
Tally light
Rear and front
Multi-function button
Power / lock Screen
Input voltage
6.2V to 16.8V
Operating power
10 – 33W
Compatible batteries
NPF L series
Built in battery
Battery Run time (Record)
5200mAh – up to 1.5hrs (monitor & record 4K 30p) / 7800mAh – up to 2.2hrs (monitor & record 4K 30p)
Continuous power
Dual battery slots
DC in connector
DC jack 2.1mm
Via optional DTap to DC cable
SuperAtom IPS panel (capacitive touch)
1920 x 1200
Bit depth
10-bit (8+2 FRC)
Backlight Type
Dynamic zoned back light, Dynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cdm2 / nits)
1500 / 3000 Peak HDR brightness
Aspect ratio
1 :9
Color Gamut
DCI-P3 (D65)
Calibration support
Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
.Cube Format
3D LUT Down Stream
Loop out
3DLUT 50/50
Monitoring Modes
Native / HLG / PQ / 3D LUT
HDR output Conversion
Video Input
1 x HDMI (2.0) 4k p60
Quad link 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
Apple ProRes RAW up to 6k
Bit Depth
8/10Bit Video / RAW up to 16Bit
Video Chroma Subsampling
RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
File Name from Arri, RED
Video Output
1 x HDMI (2.0) 4k p60
SDI loop out
1 x 2 x 12G SDI Backwards compatible Auto detection
SDI Play out
2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling
Bit Depth
10Bit Video
Web Streaming
Optional via Connect 4k
Video Signal Conversion
Yes – Video and RAW
Yes – Video and RAW
Audio In/Out
Audio Quality
Audio Codec
8ch 24Bit, input dependent
12ch 24Bit, input dependent
Analogue Audio in
XLR via Optional Break out cable
Analogue Audio Out
XLR via Optional Break out cable
Headphone out
3.5mm 2ch.
Timecode / Sync
Time of day
Yes, Time and Date
LTC via BNC input in Record mode
GenLock in Playback mode
Resolution and Frame Rates (Record, Monitor & Playback)
RAW Only up to 30p via SDI Only
4k DCI
4k UHD
2K DCI 2046 x 1080
2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
FHD 1920 x 1080 Progressive
FHD 1920 x 1080 PsF
Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced
1280 x 720p
Recording CODEC
For SDI RAW inputs Only
Apple ProRes RAW
ProRes RAW, HQ
Apple ProRes
LT, 422, 422HQ
Avid DNxHD
DNxHD 220x,220,145,36
Avid DNxHR
Yes, Create customer play lists from full or sub clips
Yes, with user customisable in / out markers
Apple ProRes Raw
Yes, recorded clips
Apple ProRes
Yes, with Linear PCM audio
Avid DNx
Yes, with Linear PCM audio
Recording functions
Pre-roll record
Yes (HD 8s, 4K 2s) – Not available in RAW
ISO Record
Up to 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
Switched Program Record
Yes Up to 1080p 60
Multi Input / Switching
SDI A/B toggle
Yes, Up support up to 12G SDI per input
Dual Input display
Via Multi ISO input mode
Multiple SDI input
Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions
Auto or manual XML transition
Supported media
Master Caddy I
Not compatible
Yes with optional SSDmini handle
CFast II
Supported cards via optional AtomX CFast Adapter
File Naming
Unit Name – Scene/Shot/Take, Arri & RED via SDI
File System
On screen tools
Yes, 3 size / Position
RGB parade
Yes, 3 size / Position
Vector scope
Yes, 2 size / Position
1 x Zoom
Yes. 1:1 Pixel mapping for 4k
2 x Zoom
Focus peaking
Colour selected / threshold setting / colour/ Mono / edges only
False colour
Yes, with Scale
Yes, Adjustable
Isolate color channel
Blue Only
Cine Frame Guides
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides
9:16, 1:1, 191:1, 4:5
Safe areas
Action and Graphic
Grid markers
9 grid
Anamorphic desqueeze
1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip
Vertical Only
Onboard Signal Processing
Pulldown Removal
24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown)
4K UHD Downscale for HD
Loop out – 4K UHD to FHD
DCI Crop
Loop out – 17:9 to 16:9 Crop
Remote control
Auto HDMI Trigger, Supported Protocols – Canon, Sony,Atomos Open Standard
SDI trigger camera selectable
Serial 2.5mm Jack
LANC control and calibration viaoptional USB to serial cable
External Device Control
Supported Applications
Cut tag EDL and Multicam with transitions in FCP XML
Apple ProRes RAW
Apple FCP, Adobe Premiere, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light
Video Codecs
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
What’s in the box
Accessories included
Shogun 7 unit, Master Caddy II x 1, International power supply, carry case, quick start guide
Included extras
7″ Accessory kit, Sunhood, DC to DTap, Power kit, UltraSync One,HDMI cables, USB to serial cable


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